Gammaglobulinmangel im Blut - ορισμός. Τι είναι το Gammaglobulinmangel im Blut
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Τι (ποιος) είναι Gammaglobulinmangel im Blut - ορισμός

SOLO CHURCH CANTATA BY J. S. BACH
BWV 199; Mein Herze schwimmt im Blut
  • [[Georg Christian Lehms]], copper engraving c. 1713
  • [[Johann Heermann]], the hymn writer

Ham Jeung-im         
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Ham Jeung Im (Hangul 함정임; born 1964) is a South Korean writer, professor, and former literary editor. She began writing articles on Korean literature for the journal Monthly Literature & Thought when she graduated from university, and went onto become the editor-in-chief of the journal Writer’s World and the publisher Solbook.
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DISCOGRAPHY OF AUSTRALIAN ARTIST DAMI IM
Crying Underwater (song); Crying Underwater (Dami Im song); Dream (Dami Im album); Snow & Carol; Intimacy (EP)
The discography of South Korean-born Australian recording artist Dami Im consists of six studio albums, two extended plays, eighteen singles and two album appearances. Im began her music career as a gospel singer in Korea and independently released her debut studio album, Dream, in 2010.
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Johann Friedrich Peyer im Hof (18 June 1817, in Schaffhausen – 18 May 1900) was a Swiss politician member of the Swiss National Council during 1857–1875 (President 1859/1860).

Βικιπαίδεια

Mein Herze schwimmt im Blut, BWV 199

Johann Sebastian Bach composed the church cantata Mein Herze schwimmt im Blut (My heart swims in blood) BWV 199 in Weimar between 1711 and 1714, and performed it on the eleventh Sunday after Trinity, 12 August 1714. It is a solo cantata for soprano.

The text was written by Georg Christian Lehms and published in Darmstadt in 1711 in the collection Gottgefälliges Kirchen-Opffer, on the general topic of redemption. The librettist wrote a series of alternating recitatives and arias, and included as the sixth movement (of eight) the third stanza of Johann Heermann's hymn "Wo soll ich fliehen hin". It is not known when Bach composed the work, but he performed it as part of his monthly cantata productions on the eleventh Sunday after Trinity, 12 August 1714. The solo voice is accompanied by a Baroque instrumental ensemble of oboe, strings and continuo. The singer expresses in a style similar to Baroque opera the dramatic development from feeling like a "monster in God's eyes" to being forgiven. Bach revised the work for later performances, leading to three different editions in the Neue Bach-Ausgabe.